TAUROTECA


 

taromancy

2.4.2012                       "the Observer affects the Observed"  snakeappletree on the art of prophecy

I study numerology too, and alphabetic-numerology and symbolic-numerology. angelic-numerology, "capimaon" is a word of Enochian it means "numbers of time" - not numbers 'in' time, numbers 'of'; time, specifically. Around six years ago I used this one word from the language that dr dee & edward kelly channeled of angels, and am still caught up in its spell.

Am enjoying watching it play out, is less of a spell on the level of witchery than it is the natural manifestation of angelic scheme for humanity involving us all, which is, if you accept their belief structure; the light grid upon which our purgatory occurs so that we may be free of karmic interference, and pure enough to ascend. Recent developments in science have revealed that the universe is holographic and fractal based, which means, the angelic light grid is a real thing. To be free of this, we have come down into time so as to evolve by cleansing the miasms of the soul. Where symbols syncronize, that is a sign of the grid coming to the fore of awareness, which is a sign that a layer of the veil is clearing. These things happen in their own time, at the rate we can cope with it. If we stripped all the dirt off in an instant, we would not be able to cope with it, we would manifest the comfort zone again, recreating the situation as it was before. This happens constantly anyway.

Numerology etc is a way of visualizing the grid mechanics, comprehending its principles. I find it preferable to chess which involves strategy and game, therefore competition. Not interested in competition; the only ones who can win are those who work together. When we arrive at the finish line, which is to step out of time entirely; we all arrive at the same place together. My studies of Enochian were with Uriel. I should call upon Michael as a protector more often; it is his symbols that are involved in my revelations. I do little Angelic work now, because the patterns were set previously, I trust in cosmic harmonic convergence to do the rest. It is all working toward Singularity, things will be clearer as of next spring (2013) - Year Zero.

The After the singularity, the numbers will have changed; all the previous systems will have run their course, the ramifications have not been digested yet even by spiritual interested people. An extra Major Arcana is to be released into Tarot for it to make sense with how things are, for example. Anybody using the old outmoded systems will repeatedly be faced with; Chaos, messing up their system. It is a defined chaos, it has different meanings. It means, something random (apparently random, from within the dogma of their grid system) will thwart their prophecies. It means, the fractal maths which the hologramic manifestation of events is structured by.

I therefore postulate that in the interim, the next Tarot card will be XXII Chaos, its symbol the Mandelbrot. Following from this and relatively soon after, will be the more fulfilling card that will change the meaning of some of the earlier cards, in their context. Not to be alarmed, this is natural and meant. The card will be XXIII Holisticism, its symbol a knotwork weave merging at the apex and unthreading at the base. This will render the World card to mean the Environment, or Ecology, rather than 'All' which it used to mean. Holisticism also means, the Syncronicity point, 'things coming together into focus as one' so Distillation is involved also. Tarot workers who created their own decks have renamed the cards in the past century, but they did so in advance of what I am explaining here. Humanity IS ascending and so the limited scope of the previous system is smaller than the full scope of Human potential for the Aquarian Human.

I use tarot as example here; its with all the systems however, that the change will be noticed. It affects everyone. Those seeking a wider perspective accurate to the Laws of Physics as they are now, will have to upgrade. So far as explaining this in terms of numerology; we are at the next up now, so that all the previous numbers cannot comprehend where we are now, they are inefficient to explore this level. Eg; you cannot explore a number 9 if all you have in your toolkit is numbers 1-8. If you are able to add 1 to 8 = 9, you are going the long and complicated way around it, and you still are not explaining that 9, because the concepts of 1 and 8 do not cover the concepts of 9.

Humans are evolving, Reality itself is evolving, Gaia is evolving, the frikkin Angels are evolving! Evolution and the nature of evolution itself, is evolving, of course! Its the evolution curve, same as the technology curve - the trouble is that most people have no idea what is happening and what reality is capable of, and the ones who do are so isolated from each other that we don't really have much cohesive language to discuss these matters anyway.

The ancients programmed quartz crystals to grow in a certain way, to access through them. They used a technique to do this. We are at a stage where the same thing is happening, we are part of that ancient process, forgotten it but can re-learn it, and wake up to it - and continue it. The process is Freedom, the end result is Freedom. All of our challenges, are facing of restrictions on Freedom. Evolution is the resolution of all the issues we face, inhibiting Freedom. The end result is, no more restrictions/limitations. What would we be then? What could we achieve then?

the nature of energy is to seek balance. no form of energy stops (it transmutes)

XXIII might be better called Weave or Unity or Focus, and there's a school of thought that it is the reverse of XXII Chaos. I disagree, they are separate concepts/cartouche. Although they relate, for the weave within the wave, the inner layers of the onion-layered cohesion, are dualistic; they cannot comprehend the complex outer rings, but they are purer because closer to the core.

XXII Chaos is also symbolized by an 8 pointed star because Chaos flows in all directions. That will be on the card also.

While we are recreating Tarot, I would change Death to Anubis / Charon, its a subtle difference, the Guide / the gate rather than the Reaper. And I would change the lightning on the Tower card into a Phoenix although the tower is there to represent 'that which we build' from the earth to the air, our attempts at a link between. It might very well be called 'knowledge unapplied'.


 

http://www.rainforestconcern.org/                                             http://thefreeenergygenerator.com/

JUNGLE ART

a series of 33 images and accompanying text
the alchemical elements are symbolic and the concept is 
SHAMANIC JOURNEY

"Anarchy disguised as bureacracy, disguised as police state, disguised as democracy."
~Snakeappletree commenting on Life in britain. 


I was taught in school the common understanding that oil comes from what once used to be prehistoric jungles; forests that have rotted down over aeons into a high energy liquid. I find this strange to believe simply because oil floats on water, so logically the oil should be floating on top of the ocean or in time have filtered down into the seabeds. Instead, somehow all that primal rainforest ended up underground in subterranean cavities, only to be extracted millenia later when Mother Nature set her children the task of refining it and filtering in our movable petrol filters into heavy metallic gas. 

Thinking about the processes that have to occur to result in that situation is mind boggling. Billions of years in the making and then... a flash of combustion and a thimble of petrol ignites, is catalysed into carbon monoxide fumes and eventually filters into the soil to stunt the growth of existing species. 

I have faith that Gaia, the holistic Life force of this plan't, knows what it is doing and the reason behind the chemicals ending up being filtered into the soil is to add a new sort of nutrient for the new sorts of creatures of the future, which will evolve after this current phase of global die-back. Microbes and mutated plant types, most likely. It has happened before, this we know from the fossil record. And it happens rapidly. Meanwhile this thimble of oil is instead used by me in the form of paint, varnish and pva glue to make some lush fresh pictures inspired by the jungle. I made these a few years ago, 2005 or 2006.

This series is about Process. The process of making abstract expressionist art. The process of thought involved with making a painting, deciding which colour, which brush stroke, how to arrange apparently random splatters, how much to use haphazard spills in creating this image. 

Prior to making these images and thinking these thoughts I was wand'ring around in a british woodland, consciously picking up and placing sticks that had fallen from trees. My arrangement of these was such that some of them had obviously been consciously placed; others I arranged so that they looked as if nobody had touched them at all, that they had landed there quite naturally and without interference. In retrospect I can understand that I was exploring and deconstructing the decision making process itself. Questioning the qualifiers we use to judge. 

Prior to my attending and during Art school (cheltenham university class of '99) I studied Jungian psychology and the Primitive in art. The Jungle, the forest, is metaphor for the inner wild, the subconscious, the primal self stripped bare of judgement, stripped of labels and the labeling system in our minds which program our observations away from true seeing, the Pure Gaze. A breakdown of the artificial constructed memetic grid, the systematic belief structure that we superimpose into the world and mistake for reality. 

Wand'ring around in the forest and then making these images became a cyber-shamanic experience for me. Not only in the sense of their construction process but afterwards, the object we are left with, a bunch of petro-chemicals and wooden board (a cupboard door retrieved from the overgrown ruin of an abandoned house) temporarily bound into a form the surface world of which invokes emotional and psychological reference points, an inner journey partaken in by the observer. The images become signifiers of stages or scenes of that journey. It is a journey of transition. 

This series is about processes and it is also about change; transition. Change being the only constant (other than void). There is light-sensitive colour changing paint mixed in with the other pigments here. What I observed during painting was that when the paint and pva dries it loses its sheen, its intensity. Subsequently it became necessary for me to take digital photographs of the work in progress, recording the process. 

Still moments frozen in time. 
~Snakeappletree, 2009

VISION QUEST




       
  


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