These are some Gorean slave positions that submissives use for display and or punishment purposes...
This is the most basic of all the positions. This is the position a slave is in most of the time. She kneels before her Master, her head held high, eyes downcast, knees spread wide open, shoulders back keeping her back straight (or arched slightly), breasts thrust outward. Her hands lie on her thighs, palms facing upward.
"Nadu! he cried, loosening the whip coils on her throat.
She swiftly knelt, back on her heels, back straight, head high, hands on her thighs, knees wide.
Explorers of Gor, page 70-71
Tower Slave Position
There is another variation of Nadu in which she kneels the same way, but with her palms down and her knees modestly together. This variation is referred to as Tower Slave Position and is typically reserved for underage or white-silk slavegirls, or slavegirls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave.
The Gorean Male, at ease, usually sits cross-legged and the female kneels, resting back on her heals. the position of the Tower Slave, in which Vika now knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding.
Priest Kings of Gor, Page 46
This position is self explanatory. She lays on her back, her hands at her sides, palms facing upward. Her legs are spread wide open...she awaits Master's inspection.
"Sula, Kajira!" said the man.
She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open."
Explorers of Gor, Page 77
This position is used for a variety of reasons, sometimes as punishment. She lays on her stomach, face down and turned to the left with her wrists crossed behind her back. Her ankles are crossed, as well, as if for binding.
"Bara, Kajira! he said.
She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound."
Explorers of Gor, Page 77
This position is used for varied reasons, one of them being that it just pleases the Master. She falls to the floor face down, her forehead resting flat on the surface her arms at her sides with her legs widely spread and crawls to the Master on her belly.
"On your belly," I said. She backed off a bit , and went to her belly. Her hair was before her face, as she now on her belly before me looked up at me."
Mercenaries of Gor, Page 441
This is very similar to belly but there are differences. She gets down on all fours, palms to elbows are flat on floor, her ass in the air with her forehead close but not touching the floor and crawls to just an inch from the Master's feet.
"I pointed to the stones at my feet. 'Crawl,' I said, in Gorean.
The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it."
Tribesmen of Gor, Page 78
This position is very painful to maintain for longer than 5 minutes. She kneels in nadu position and bends her body backwards, her head to the floor, she places her hands by her head, and pulls up into a back bend.
"He thrust her two wrists, before her body, into the ring he had cut from the Kur. He then tied them inside, and to, the ring. He then, from his belt, took a long length of binding fiber and, doubling it, looped it, securing it, at its center to the ring, leaving two long ends. He then threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under the body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow."
Marauders of Gor, Page 261
This position is used to attach a leash. She kneels, her back to her Master, with her chin lifted and head turned to the left, offering her collar for leashing. Her wrists are behind her back, ready, if needed, to be snapped into slave bracelets.
"Lesha, Collaring, snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets."
Explorers of Gor, Page 76
This position is used to put on slave bracelets for chaining the slave. A common place to chain slaves is to their Master's bed or at a Tavern there are rings in the walls that a Master may use to attach a slave to while he goes about his business. She places her hands behind her back, her shoulders pushed back and her breasts thrust outward, her hands clasped tightly behind her back...ready for bracelets to be placed on her.
"Bracelets, he snapped. She put her head in the air and placed her hands behind her back."
Hunters of Gor, Page 146
Also called "the Position of Female Submission." She kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.
"Then, to my astonishment, the daughter of the Ubar Marlenus, daughter of the Ubar of Ar, knelt before me, a simple warrior of Ko-ro-ba, and lowered her head, lifting and extending her arms, wrists crossed. It was the submission of the captive female. Without raising her eyes from the ground, the daughter of the Ubar said in a clear, distinct voice: `I submit myself.'
I was speechless for a moment, but then, remembering that harsh Gorean custom required me either to accept the submission or slay the captive, I took her wrists in my hands and said, `I accept your submission.'"
Tarnsman of Gor, Page 93-94
She kneels, bending at the waist, places her cheek to the floor, takes the Master's right foot and places it upon her neck, placing her arms behind her back, crossing them at the wrist.
"She looked deeply into his eyes. then, delicately, in a graceful gesture, she turned her hands, putting their backs to the floor, exposing her palms, and the soft flesh of her palms, to him, indicating her surrender, her submission, her vulnerability and her readiness."
Rogue of Gor, Page 191
She goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission.
"I flung myself to my belly in the grass, putting my hands behind me, wrists crossed, and crossing my ankles, too.
I lay there in confusion, in obedience.
Dancer of Gor, Page 475
This is used when waiting to enter a room. She kneels and touches her forehead to the floor stretching her arms out before her with palms face down and fingers spread.
"At his entrance Susan put the palms of her hands on the floor and lowered her head to the tiles, assuming a position of slave obeisance common with her in the presence of her master."
Kajira of Gor, Page 157
She first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.
"I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip."
Captive of Gor, Page 200
She stands, her feet flat on the floor, and bows gracefully at the waist, that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires.
"I looked at the girl. I nodded to her to approach me. She did so. I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customes had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behaind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position."
Beasts of Gor, Page 409
Slaver's Kiss or Caress Position
She falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.
"Then taking the whip from the whip slave the auctioneer stepped to the disconsolate girl; suddenly, without warning, he administered to her the Slavers caress, the whip caress, and her response was utterly, and uncontrollably, wild, helpless."
Assassin of Gor, Page 294-295
Also known as "assuming the modality of the she-quadruped." She falls to her hands and knees, her head down on the floor, her hindquarters thrust high for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects.
"In this discipline the female is forbidden human speech. She is also forbidden human posture, in the sense that she is not allowed to rise to her feet. Her locomotion, unless commanded to roll, or put under similar commands, suitable for a pet, will be on all fours. Her food will be thrown to her, or put in pans on the ground. In either case, she must feed without the use of her hands. She may also, of course, be fed by hand, but, again, will not be permitted to touch the food with her hands. She may be taught tricks. Sometimes these are taught as functions of arbitrary sounds, so that she must learn them as any animal might, without the benefit of an earlier understanding of the word used. If she is slow to learn, of course, she is punished, as would be any other animal. When used, too, it will commonly be in the modality of the she-quadrupled. This discipline is often used as a punishment, but it may figure in the training of a new girl. It helps her to understand what she now is, an animal totally subject to her master."
Mercenaries of Gor, Page 215
She stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master's hip, that he might lead her easily by the hair or collar while walking.
"Her master seized her from the circle then and hurried her from the light, her head down, held by the hair, at his left hip. This is a common leading position for female slaves being conducted short distances. As the master holds her hair in the left hand, it leaves his right hand, commonly the sword hand, free."
Magicians of Gor, Page 46
She goes to Master and kneels behind his left foot, awaiting his movement whereupon she stays to his left and slightly behind him following him as he moves.
"Heel, I said.
Yes, my captor, she said.
I turned to regard her. She would follow me, behind and on the left. In this way the sword arm is not likely to be encumbered."
Vagabonds of Gor, Page 381
When this command is given, she turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.
"I can walk with my head down, as a slave, said Tarna.
Most female slaves, said Hassan, walk very proudly. They are proud of their slavery, and their mastery by men."
Tribesmen of Gor, Page 332-333
When this command is given, she runs toward her objective, taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of nadu.
"I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancers motion than a true run."
Assassins of Gor, Page 45
When this command is given, she turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master.
"Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers."
Kajira of Gor, Page 224
(Some of these may be duplicated from above. Many are in most lists.)
Kajira lies face down on the floor with her hands behind her back, wrists
crossed, legs straight, ankles crossed, ready to be bound. Head faces left.
Kajira lies face down with her forehead resting flat on the floor and arms at her sides. she crawls to the Master on her belly.
The command belly is a form of obeisance that commands a slave into a position where they lie on their belly with their head to the floor or to the foot of the Free. one's palms are pressed flat to floor, next to the head. Variations may include moving to the Free, kissing Their foot, or placing Their foot upon one's head or neck to show that their life may be so easily crushed. It may be used to show submission, respect or obedience, to beg forgiveness, or simply as a means to approach the Free. ~With fear in her belly, but an ache in her heart, the slave moved to her belly on the floor. Each hand is pressed to the floor at her sides, and she painfully inches forward. Reaching His feet, she grasps His ankles with her small hands and lifts her lips to His boots. Placing a soft kiss against each boot, she whispers brokenly~ one begs forgiveness Master, the words she spoke that upset You, were ill-chosen.
Kajira crosses her wrists and ankles, waiting to be bound. From the Gorean word Lesha, which translates as "leash." In this position, the slave remains either standing or kneeling, depending upon the current position she is in. She turns and puts her back to her Master, her chin up, her head turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.
In this position the slave has to remain very still and quiet when a covering is thrown over her....until the Master removes it.
Bracelets or chainning
Kajira stands, head high, wrists behind her back and crossed, ready to receive slave bracelets.
To the command "bracelets" the slave responds by placing her hands behind her back, wrists crossed, ready to receive bracelets. The head should be held tall with the chin lifted and turned to the left. It might be used to attach bracelets to a slave, easy access to the collar to grasp the collar or attach a leash, to display a girl, to capture a slave's attention, to test the training of a slave, or simply because it pleases the Master. ~Throwing her arms and her ash~blonde hair behind her, she presses back with her shoulders and raises her wrists so that they are well clear of the small of her back. she pulls up the crown of her head slightly to complete the curve caused by the forward thrust. Turning her head to the left, her chin raised slightly, the collar of steel fully exposed as it lays across the smoothness of her slender throat.~
From the books: bracelets
The girl lies on her back with her knees raised, heels on the floor in a standard, supine capture position.
The slave gets down on all fours, palms flat on floor...ass in the air...forehead close but not touching the floor....crawls to just an inch from Master's feet.
The slave gets down on all fours and moves to where she is directed. In the books, one example is a slave moving forward on her belly with her head down. Other instructions, not found in the books, may include having the forearms (palms to elbows) upon the floor, exaggerating the tush in the air, lowering the forehead close to but not touching the floor, crawling to a hort from the Master's feet, or crawling to and kissing the Master's feet.
~Arching her back to display herself well before Him, the slave slowly leans forward, placing her palms to the floor, her tush rising above her heels as she pulls herself forward from her kneel. her arm reaches forth, breaking through the cascade of ash-blonde hair that falls over one shoulder, her hips rolling sensually with the shifting of her weight as she brings her opposite knee forward. Extending her arms to Him, relieving the stretch in her legs by sliding them forward to tuck beneath her, she moves like a larl in heat until she is within easy grasp of His left hand.~
Common Gorean Usage Position (sex)
The slave falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master.
There are times when a kajira's eyes should and should not not meet those of a master.
The girl kneels in the nadu position and bends her body backwards, her head to the floor, she places her hands by her head palms down .... then pulls up into a back bend.
The command for hair is a silent gesture in the books, but may be given verbally in the online realm. a slave approaches the Free opposite their dominant side, bowing or crouching to place the slave's bowed head within easy grasp. It may be used when a Free wishes to have a slave by their side, lead a slave, wipe His fingers or face with her hair, moved to another position, controlled, or have her slavery impressed upon her.
The slave goes to Master and kneels in nadu behind and to his left... awaits further orders note: if Master is right handed go to his left , if left handed go to his right.
The command for hair is often a silent gesture in the books, but may be given verbally as well. a slave approaches the Free opposite their dominant side, kneeling or crouching to place the slave's bowed head within easy grasp. It may be used when a Free wishes to have a slave by their side, lead a slave, wipe His fingers or face with her hair, moved to another position, controlled, or have her slavery impressed upon her.
~Seeing the rapid opening and closing of His hand at His hip out of the corner of her eye, the slave quickly moves to Master's left side, rolling up on her toes and lowering her tush upon her heels as she melts into a crouch to obey His command. Bowing her head, she places the crown of her head where He gestured.~
A position in which a leashed slave is commanded to do....to show off her collar and neck.
Kneeling (Leash and other variations)
The slave kneels quickly spreading her thighs wide, arches her back stiffly and places her hands, wrists crossed, at the small of her back, turns her head to the left with eyes lowered submissively, and lips parted slightly, she patiently awaits the leash, or inspection...(standing): The slave stands with feet shoulder-width apart, wrists crossed at the small of her back, head held high and turned to the left, lips slightly parted and eyes lowered submissively awaiting the leash or inspection.
Ko Lar, or Collaring Position
Also called "the Position of Female Submission." In this position the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.
Kneel to the Coffle
The girls kneel, closely, one behind the other, as their left wrists are placed in wrist rings; this is usually followed by the order to stand and then the order "Lower chain" where the girls lower their wrists. Thusly they are then in line, standing, coffled.
Kneel to the Whip
Kajira kneels, head to the floor, arms crossed beneath her, back exposed in preparation to be beaten. In this position the slave first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.
Kajira walks behind the Master and puts her head to Master's hip in order to be led. The slave hurries to Masters side, bends at the waist pressing her head against his left hip...her hair falling forward. .. waits for Master to lead her by her hair or her collar... note:if Master is right handed go to his right side.
Kajira clasps her hands behind her back in readiness for bracelets. She holds her head up and turned left ready for the leash.
From the books: leasha
When a master places a girl in position, it is imperative that she does not break it until commanded to do so. Here are some examples:
A command used by the Master when He wishes the slave to cuddle.
According to the book quote given below, the proper response to the command, "nestle", is for the girl to cuddle in the crook of the Master's arm. The quote below shows the Master lying down, however on the occasions on-line that the command is used, the Master is seated and the girl on His lap. Either way of course is delicious.
This is the primary position of the slave. Kajira kneels with thighs parted widely for the master's pleasure (if she is a pleasure slave, that is. Tower slaves keep their knees together). Her back and shoulders are straight, breasts thrust forward, belly in, hands on her thighs palms down (or up, in a silent plea for a Master to use her sexually). Her head is up and her eyes are lowered. A slave may kneel like this for a prolonged time so posture is important not only for appearance but also for comfort.
There are many forms of obeisance which can be performed. The dictionary definition of the word is "an act of reverence: an expression of respect". Here are some examples of performing obeisance to a man:
(Sometimes known as the "dicipline of the she-quadruped") This is either a position assumed on all fours for being used from behind or a discipline under which a kajira is put where she must act like a she-sleen, unable to communicate except in whimpers. Also known as "assuming the modality of the she-quadruped." In this position, the slave falls to her hands and knees, her head down on the floor, her hindquarters upthrust for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects.
A slave under the discipline of the she-quadruped goes about on her hands and knees as though she were a four-legged animal. The girl goes to all fours, going about on their hands and knees performing tasks, and perhaps tricks, as directed. The slave is permitted to use her hands only as a means of locomotion. she is not allowed to use human speech, and must communicate by means of animal noises used to signal the intentions or meanings normally given to words. The girl must often times eat and drink as an animal, lapping water from a puddle, and eating without the aid of her hands. The phrase she-sleen is often used when referring to a woman, either Free or slave. In the books women have been compared to the sleen in a similar manner as women of earth when given the qualities of felines or female canines, e.g. "catty" or "bitch". The phrase tends to imply the woman is like the sleen, vicious and nasty until tamed by the stronger Man. When the phrase "she-sleen" is used as a command, the slave mimics the position of the animal she is thought to be and assumes the modality of the she-quadruped.
When told to assume the modality of the she-quadruped, one would move to their hands and feet (unless bound or under another command, such as belly, that would prevent them from doing so) and would whimper softly, once, to show that they understood. If it was believed that the command was given in punishment, the slave might approach the Master, kissing and licking at His boots or curling about them to beg His forgiveness. The slave would then serve, do chores, and follow whatever instructions were given to her in this mode until she was told she was no longer under the modality or discipline of the she-quadruped.
Psychologically the slave while in she-quadruped learns what is it to be female. she is reduced to level of an animal. In this mode of serving, the slave realizes her status and position; that she is owned, dominated, and dependent upon her Master for her very life. This position is often used to discipline or to teach a new slave her place. It is a powerful tool for instruction. In requiring a slave to rethink how to obtain a paga bowl and fill it, how to greet guests, and how to serve the Free without using hands or voice, it forces a slave to think differently about their actions and can bring new life to one that may have been feeling complacent or bored.
When this command is given, the slave runs toward her objective, taking short rapid steps with her legs almost straight, her feet harely leaving the floor. As she moves her back is straight, her head is turned up to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon approaching the object, she drops gracefully to her knees and typically resumes the position of Nadu.
The proper response to this command, one needs to consider the context. The correct response in the midst of the games of the Wagon Peoples is not the appropriate response within a tavern. slave girls are sometimes taught to run in a stylized fashion, with straight legs using short, rapid steps that hardly touch the floor. The back is held straight with the head turned to the left, and the arms are at her sides with palms facing outward at a 45-degree angle.
"Slaver's Kiss" (Slaver's Caress) Position
This is somewhat of an action, since the slave is taken by surprize when done. The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.
When this command is given, the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master.
Kajira kneels, with her back straight. She raises her arms and crosses her wrists ready for binding, head lowered. This is the position assumed when a woman submits to a man as his slave.
Sula (Back) or Prone Position
Kajira lies on her back, her hands at her sides palms open and up. Her legs are spread widely apart, ready for whatever uses or disciplines a master wishes to place upon her.
Sula-Ki, or "Alternative Sula
This position is almost identical to the Sula position, except once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him.
The slave goes to all 4, locking her elbows, makes her back smooth and level, she holds her head level with her back.
There is another variation of Nadu in which the slave kneels the same way, but with her palms down and her knees modestly together. This variation is Position and is typically reserved for underage or white-silk slavegirls, or slavegirls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave.
When this command is given, the slave turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.
The books do not seem to describe specifically how slaves are to walk, other than slaves do walk sensually, gracefully, and proudly. However, the books to say that much time is spent in teaching slaves how to walk in order to please masters. There is a Turian knee walk that is mentioned as being used by slave dancers, but is not otherwise described. (Often the same quote will be incorrectly used to reference a command knee walk, which should instead refer to knee crawl.) When instructed to walk, the slave should move gracefully and seductively to the Master. Other descriptions, as long as they do not interfere with the ongoings of the room may include turning in a pirouette, hair swinging, hips swaying, gliding so that the feet hardly seem to leave the floor, body erect and proud, shoulders back, chest forward, belly in, eyes lowered, stopping with hip turned out, placement of hands at sides, placement of feet, and toes pointed.
When the command "lap" is given, the slave girl has been ordered into the Master's lap. she does not necessarily sit, she may be draped over His legs with her body exposed for His caresses and viewing pleasure.
To obey the command, the slave climbs upon or into the Master's lap. she may begin to kiss, caress, feed, or otherwise pleasure and tend to His needs, depending upon the wish of the Master. she may go to His lap with graceful and elegant motions, she may be brazen and forward, or she may leap into His arms.
~The kajira purrs softly, stretching her arms forward and crawling to Him with the feline grace of a larl. Placing a tender hand upon His knee, she pulls herself up. Slowly, she then raises her knee and parts her thighs, trailing pointed toes delicately across the top of His lap. Settling herself upon Him, she draws herself closer to Him, wriggling her tush a bit for good measure. Placing her hand upon His chest, she arches her back and tosses her ash~blonde hair behind her shoulders, displaying herself well for Him before leaning in, her lips brushing against His ear as she whispers:~ Yes, Master.
The command is often given with multiple girls, who kneel, in order of first slave to last, closely, one behind the other. With the command "left wrist coffle" the left wrist is raised to be placed within the wrist rings. This might be followed by the order to stand and the order "lower chain" where the slaves lower their wrists. Thus the slaves are then in line, standing, coffled, ready to be moved or displayed.
In the books the command is "stand" or "stand as a slave." This is done according to the quote as back straight, head high, belly sucked in, breasts thrust out, hip slightly turned. In addition, one might add personal touches, such as placing one foot in front of the other, front knee bent, or pointing the toes. However that is merely personal preference, not given in the book. ~The girl curls her toes beneath her, moving her weight back over her heels and pushing herself to standing. Raising the crown of her head as high as she can, the slave lowers her eyes and presses her shoulders back as she sucks in her gut to display her figure well. Shifting her weight ever so slightly so that she may better turn her hip, she raises a delicate hand to tuck a stray lock of hair behind her ear, silver-blue eyes glancing quickly as a soft smile crosses her features, only to disappear as she drops her hand once again. Feeling her heart pound under the scrutiny of watchful eyes, she slightly turns her arms so that her soft palms face more forward, exposed